Four hard cuts in five seconds — scene-change handling

integrated_multimodal_description:
[Shot 1] 0.0 to 1.2 seconds: a photorealistic extreme close-up of a match head striking a rough strip and bursting into flame, filling the frame, deep black background. HARD CUT.
[Shot 2] 1.2 to 2.4 seconds: a wide shot of a red hot-air balloon rising over green morning fields, cold blue sky, burner flaring. HARD CUT.
[Shot 3] 2.4 to 3.6 seconds: a low-angle close-up of muddy boots running fast across wet cobblestones, splashing a shallow puddle toward the lens. HARD CUT.
[Shot 4] 3.6 to 5.0 seconds: a static close-up of an old brass alarm clock on a bedside table, hammer striking the bells, vibrating hard. Each cut is instantaneous with no dissolve, no fade and no camera move across the boundary; the four shots share no colour palette, no location and no subject.

overall_soundscape:
The audio cuts hard with the picture, four times, with no crossfade. 0.0 to 1.2 seconds: a match rasp and a soft flame whoosh in a dead-quiet room. 1.2 to 2.4 seconds: open wind, birdsong, and a loud roaring burner blast. 2.4 to 3.6 seconds: fast heavy footfalls on wet stone with splashes and close breathing. 3.6 to 5.0 seconds: a piercing continuous mechanical alarm bell, close and bright.

non_diegetic_music:
N/A